Welcome to BC-Bolee Blog

I was a simple and simple man.
I was a director of the film in Indonesia.
I really loved the film field and have been involved in by me for years consistently for the sake of the progress of the film industry in my country.

Come on we discussed and discussed about all the matters about the film industry, we could change thoughts well for the sake of our progress together.

Define Your Camera’s Format

I want to share my knowledge about choosing the right camera, it is always best to finding what format that you really need. Below you’ll find most popular format.

DVCPRO HD
Based on the standard definition of DVCPRO format, the DVCPRO HD from Panasonic uses a data rate of 120 MBps and intraframe compression, both of which will provide strong protection from generational loss.

The DVCPRO HD also has supporting cameras and decks that use FireWire I/O, which is a very important feature for keeping an eye on your bottom line. The cost of the equipment is a bit pricey, as it can cost upwards of 80,000$.

HDCAM
The HDCAM format from Sony is based on DigiBeta and can record in 24p, 25p, 50i, and even 60i. It uses a high data rate of 140MBps, which produces a great looking picture with few glitches. Because of the very unusual 17:6:6 color sampling scheme, the color detail is half of DVCPRO HD. The picture is top of the line, proving to be among the best available on the market.

HDV
There is quite a bit of buzz surrounding HDV as the newcomer to the high definition marketplace. With high compression rates, HDV has enabled high quality shooting and editing with low cost tools, including the convenience of high definition video to Mini DV tape. This has also helped to open up the HD field to a wide variety of videographers and producers who would never have even considered going high definition otherwise.

So, have you found the one that matched you best?

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